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  • image SM 71/2/63

Reference number

SM 71/2/63

Purpose

Designs for details of the Royal Entrance, 2 November 1822

Aspect

Details of Cornice and Intersection of Mouldings forming Pannels on Cieling (sic) and Section of Rib A

Scale

Full Size

Inscribed

as above, labelled: His Majesty's Entrance to the House of Lords, Wall Line, (pencil) A must be / brought / forward to B, (pencil) A, (pencil) B, A

Signed and dated

  • 2 November 1822
    L.I.F. / 2nd Novr 1822

Medium and dimensions

Pen, pencil, light red, yellow ochre and sepia washes, shaded, pricked for transfer on wove paper (368 x 539)

Hand

George Bailey (1792 - 1860)
Pupil and assistant August 1806 - January 1837.

Watermark

Smith & Allnutt 1817

Notes

Parts of the ribs of the cross vaults are shown in detail and in section, as is the cornice which is ornamented with acanthus leaves and convex toothing.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).