Owing to the inscription on the preliminary design for this chair (Adam volume 6/154) it has previously been suggested that it was intended for Lord Stanley's dressing room on the parlour (ground) storey, which was used as an occasional bedchamber. Owing to the Etruscan style of the chair design, however, it is more likely that it was intended for the bedchamber on the first floor, which was decorated en suite with the Etrucan dressing room next door.
As no such chair survives, and it was not illustrated in The works in architecture of Robert and James Adam, it is not known if the chair for Lord Stanley's bedchamber was executed in accordance with Adam's extant design.
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of
Concise catalogue records – drawn from an outline list of the collection – and
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