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  • image SM (24) 56/8/8

Reference number

SM (24) 56/8/8

Purpose

Design for alterations to the basement

Aspect

24 Plan of Basement / Bristol

Scale

bar scale of ? inch to 1 foot

Inscribed

as above, (George Bailey) Plans of the Bank of England Branch Bristol, as executed, labelled (Thomas Heath): Small light / in lead flatt, Pump, Flue for / Boilers or Copper, Flue for / Boilers / Smoke Jack, Kitchen / 20'-3'' by 15'-9'', Dresser, Shelves, Iron Gratings (3 times), Shelves, Pump, Sink, Scullery, Beer Cellar / 12'-0'' by 6'-0'', Pantry / 8'-9'' by 6'-0'', Wine Cellar / 10'-3'' by 9'-6'', Coal Cellar 19-6 by 5-0, (Bailey): Iron Gate, Door plated with Iron, Aperture, qy [query] Framed Ironwork, (Heath) Strong Room / 12'-6'' by 10'-0'', Iron Door / & frame, Door plated / with 1/8 Iron / over Pand staples & / Rails, Sash Door, (Heath) Porters Room / 11'-6'' by 8'-4'', (Heath) Coal Cellar / 14-0 by 5-0, (Bailey) Inside Shutters, (Bailey) Door plated / with Iron / between Pars / Strong Bars & Chain, B / 4, (pencil) 5, (pencil) Bristol, and some dimensions given; (verso): various calculations

Signed and dated

  • (Bailey) Lincolns Inn Fields / 16th February 1827

Medium and dimensions

Pen, sepia, potter's pink, blue and yellow washes, pricked for transfer on wove paper with one fold mark (465 x 677)

Hand

Thomas Heath, clerk of works

Watermark

Smith & Allnutt 1823

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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