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You are here: CollectionsOnline  /  Giulio Clovio (1498-1578), Volume containing illuminations on the Commentary on the Epistle of St Paul to the Romans by Cardinal Marino Grimani, 1530s, ff. 142. MS pages remounted. Bound in green velvet (425 x 330)
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Reference number

Vol 143

Purpose

Giulio Clovio (1498-1578), Volume containing illuminations on the Commentary on the Epistle of St Paul to the Romans by Cardinal Marino Grimani, 1530s, ff. 142. MS pages remounted. Bound in green velvet (425 x 330)

Medium and dimensions

ff. 142. MS pages remounted. Bound in green velvet (425 x 330)

Hand

Giulio Clovio (1498 - 1578)

Notes

Illuminations on ff. 1; 2, verso; 7, verso; 8 f.1 Left-hand border, including figure of Fate with spindle, illuminated figure `I’ and landscape panorama attributed to Pieter Breugel the Elder by Charles de Tolnay (Burlington Magazine, June 1978, p. 393). E. G. Millar, `Les manuscrits à peintures des bibliotheques de Londres’, Bulletin de la Société francaise de reproductions de manuscrits à peintures, IV. 2 (1914-20), MS 11, pp 116-128; see also ed. Jonathan J.G. Alexander The Painted Page : Italian Renaissance Book Illumination 1450-1550, London 1994, Catalogue No.133

Level

Drawing

Exhibition history

The Painted Page: Italian Renaissance Book Illumination 1450-1550, Royal Academy of Arts, London, October 1994 - January 1995; The Morgan Library & Museum, New York, February - May 1995
Giving Our Past a Future: The Work of the World Monuments Fund Britain, Sir John Soane's Museum, London, 26 October 2012 - 26 January 2013
Pietro Bembo e l'invenzione del Rinascimento, Palazzo del Monte di Pietà, Padua, 2 February - 19 May 2013

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).