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You are here: CollectionsOnline  /  Joseph Michael Gandy (1771-1843), Volume of 144 numbered pages containing 53 drawings of the Sarcophagus of Seti I, dated February 1830. Title page insc: A Series of sketches of/the Arragonite Soros/discovered by Signe Giovanni Belzoni in one of/the Royal Tombs in the Valley of Beban-el Malook/at Gournou, near Thebes, in Upper Egypt, 19th October AD 1817/made by Joseph Gandy Esqre ARA 1830. Paper covers (490 x 300)
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Reference number

Vol 25

Purpose

Joseph Michael Gandy (1771-1843), Volume of 144 numbered pages containing 53 drawings of the Sarcophagus of Seti I, dated February 1830. Title page insc: A Series of sketches of/the Arragonite Soros/discovered by Signe Giovanni Belzoni in one of/the Royal Tombs in the Valley of Beban-el Malook/at Gournou, near Thebes, in Upper Egypt, 19th October AD 1817/made by Joseph Gandy Esqre ARA 1830. Paper covers (490 x 300)

Inscribed

Title page insc: A Series of sketches of/the Arragonite Soros/discovered by Signe Giovanni Belzoni in one of/the Royal Tombs in the Valley of Beban-el Malook/at Gournou, near Thebes, in Upper Egypt, 19th October AD 1817/made by Joseph Gandy Esqre ARA 1830

Signed and dated

  • Feb 1830

Medium and dimensions

Paper covers (490 x 300)

Hand

Joseph Michael Gandy ARA (1771 - 1843)

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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