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You are here: CollectionsOnline  /  Soane office, LONDON, Messrs Thelussons, Nephew & Co., adjoining No. 2 New Bank Buildings, Princes Street: Interior perspective as built 1810 with figures. Insc: View.of.the.Counting.House./of.Messrs.Thelussons.Nephew.& Co. & in white ink on a lack border below: Whose Argosies.with.portly.sail, - Do. over-peer.the.petty.trafickers; like.signiors.and.rich.burghers. on.the.flood, that.curtsy.to.them, do.them.reverence.or.as.it.were.the.pageants..of.the.sea.as.they.fly.by.them; with.their. woven.wings. Pen & coloured washes, with white & Indian ink
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image P207

Reference number

P207

Purpose

Soane office, LONDON, Messrs Thelussons, Nephew & Co., adjoining No. 2 New Bank Buildings, Princes Street: Interior perspective as built 1810 with figures. Insc: View.of.the.Counting.House./of.Messrs.Thelussons.Nephew.& Co. & in white ink on a lack border below: Whose Argosies.with.portly.sail, - Do. over-peer.the.petty.trafickers; like.signiors.and.rich.burghers. on.the.flood, that.curtsy.to.them, do.them.reverence.or.as.it.were.the.pageants..of.the.sea.as.they.fly.by.them; with.their. woven.wings. Pen & coloured washes, with white & Indian ink

Inscribed

Insc: .View.of.the.Counting.House./of.Messrs.Thelussons.Nephew.& Co. & in white ink on a black border below: Whose Argosies.with.portly.sail, - Do. over-peer.the.petty.trafickers; like.signiors.and.rich.burghers.on.the.flood, that.curtsy.to.them,do.them.reverence.or.as.it.were.the.pageants..of.the.sea.as.they.fly.by.them; with.their.woven.wings.

Medium and dimensions

Pen & coloured washes, with white & Indian ink

Notes

Drawn by Francis Edwards. Presentation design of the Counting House at the rear of the mercantile residence leased to Messrs Thelussons, Nephew & Co.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).