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You are here: CollectionsOnline  /  James William Wild (1814-1892), LONDON: No 13 Lincoln's Inn Fields, (53-66) Designs for New Students' Room (now known as New Picture Room) & its unexecuted `Pompeian’ decoration, c.1889-91, Plans, ceiling plans, sections & details, Insc: this is the drawing approved by Sir F. Leighton/and subsequently by the Trustees attending the meeting on the/18th July/Arthur W. Blomfield
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Reference number

87/2/55

Purpose

James William Wild (1814-1892), LONDON: No 13 Lincoln's Inn Fields, (53-66) Designs for New Students' Room (now known as New Picture Room) & its unexecuted `Pompeian’ decoration, c.1889-91, Plans, ceiling plans, sections & details, Insc: this is the drawing approved by Sir F. Leighton/and subsequently by the Trustees attending the meeting on the/18th July/Arthur W. Blomfield

Aspect

Plans, ceiling plans, sections & details

Inscribed

this is the drawing approved by Sir F.Leighton/and subsequently by the Trustees attending the meeting on the/18th July/Arthur W. Blomfield

Hand

James William Wild (1814 - 1892)

Notes

The New Picture Room ceiling was painted by Alan Dodd in 1992 following Wild's scheme as shown in these drawings, which were approved by the Trustees but not carried out following Wild's death in 1892. For Alan Dodd's drawings see 91/11/1-15

Level

Drawing

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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