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You are here: CollectionsOnline  /  Edward Muhlenpfordt, MITLA (Mexico): Measured drawings for publication of the Mixtec ruins, c.1831-32, Plans, elevations, sections & details, Numbered: PI.1 to PI. 13 with Plate 5 missing, (4) Insc: The Drawing No V, was/missing when they were/purchased by Sir John Soane/GB. Filed with the drawings is a manuscript copy of The/Palaces of the ancient Zapotecos/at Mitla/and some other Antiquities found in/the State of Oajaca/Described/by/Edward Mücklenpfordt/Architect and Engineer/With plates/ 1832
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Reference number

83/1/4

Purpose

Edward Muhlenpfordt, MITLA (Mexico): Measured drawings for publication of the Mixtec ruins, c.1831-32, Plans, elevations, sections & details, Numbered: PI.1 to PI. 13 with Plate 5 missing, (4) Insc: The Drawing No V, was/missing when they were/purchased by Sir John Soane/GB. Filed with the drawings is a manuscript copy of The/Palaces of the ancient Zapotecos/at Mitla/and some other Antiquities found in/the State of Oajaca/Described/by/Edward Mücklenpfordt/Architect and Engineer/With plates/ 1832

Inscribed

The Drawing No V, was/missing when they were/purchased by Sir John Soane/GB

Hand

Edward Muhlenpfordt (1801 - 1853)

Notes

(83/1/1-13) Prov: Purchased by Soane for £12.12.0 on 23 Feb 1835 from HJ Martin (Ledger E p.218)

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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