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Edward Muhlenpfordt, MITLA (Mexico): Measured drawings for publication of the Mixtec ruins, c.1831-32, Plans, elevations, sections & details, Numbered: PI.1 to PI. 13 with Plate 5 missing, (4) Insc: The Drawing No V, was/missing when they were/purchased by Sir John Soane/GB. Filed with the drawings is a manuscript copy of The/Palaces of the ancient Zapotecos/at Mitla/and some other Antiquities found in/the State of Oajaca/Described/by/Edward Mücklenpfordt/Architect and Engineer/With plates/ 1832
Drawing. SM 83/1/4. ©Sir John Soane's Museum, London. Photo: Ardon Bar-Hama
156130
Reference number
83/1/4
Purpose
Edward Muhlenpfordt, MITLA (Mexico): Measured drawings for publication of the Mixtec ruins, c.1831-32, Plans, elevations, sections & details, Numbered: PI.1 to PI. 13 with Plate 5 missing, (4) Insc: The Drawing No V, was/missing when they were/purchased by Sir John Soane/GB. Filed with the drawings is a manuscript copy of The/Palaces of the ancient Zapotecos/at Mitla/and some other Antiquities found in/the State of Oajaca/Described/by/Edward Mücklenpfordt/Architect and Engineer/With plates/ 1832
Inscribed
The Drawing No V, was/missing when they were/purchased by Sir John Soane/GB
Hand
Edward Muhlenpfordt (1801 - 1853)
Notes
(83/1/1-13) Prov: Purchased by Soane for £12.12.0 on 23 Feb 1835 from HJ Martin (Ledger E p.218)
Level
Drawing
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
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