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image SM 47/1/84

Reference number

SM 47/1/84

Purpose

[7] Designs for the chapel, 14 April 1802

Aspect

Section on the Line AB, Section on the Line CD, Section on the Line EF, Plan of Gallery and details of ornaments

Scale

bar scale of 2/7 inch to 1 foot

Inscribed

as above, Mrs Brocas, (in Soane's hand) At Bramley June 11 1803 / Saturday, June 10 1803 / Recd on Acct £50 / for the Coade / ---- ---- (illegible), an illegible note at bottom left and dimensions given

Signed and dated

  • 14 April 1802
    Lincolns Inn Fields April 14 1802

Medium and dimensions

Pen, sepia and light red washes, pricked for transfer on wove paper with two fold marks (679 x 571)

Hand

Henry Hake Seward (1778 - 1848)
Pupil and assistant May 1794 - September 1808.
Sir John Soane (1753 - 1837)
Additional details by Soane.

Notes

The lines AB, CD and EF are taken from a corresponding plan of the same date (drawing [6]). The transverse sections show the thirteenth-century arched entrance from the church into the chapel and the new pointed window in the chapel's south wall. The longitudinal section shows part of the ceiling - which consists of three compartments with diagonal ribs - and the door in the east wall of the chapel. On the same sheet is a plan of a gallery, presumably for the church, and several ornamental details in Soane's hand. A small plan at the top of the sheet shows the monument in the centre of the chapel and the door in a new position in the south-east corner. A corresponding section to the bottom left of the sheet shows the ceiling with five compartments, as executed.

Although the drawing is undated it is annotated with several dated memoranda. One of these records that Soane received £50 on account for the Coade stone window tracery on 10 June 1803. Soane himself was 'At Bramley' on that day, when he presumably added the rough details to the drawing. The note in the bottom left corner of the sheet is illegible.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).