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image SM 4/4/24

Reference number

SM 4/4/24

Purpose

[12] Design for a veranda, 22 June 1803

Aspect

Plan, elevation and section of the veranda

Scale

bar scale of 3/4 inch to 1 foot

Inscribed

Coppy (sic) sent to / Mr Robins, labelled: B, C, D (twice), E (twice), 8.3, Wall, A The Standards to Pilaster 1¾ by 1¾ / B The Cross Pieces 1¾ by 1¾ / The ---ing work between the Pilasters 1 inch by 3/8 / C The Bars 5/8 by 7/8 / DD 1¾ by 1¾ / E ½ inch by ¼

Signed and dated

  • 22 June 1803
    June 22 1803

Medium and dimensions

Pen and yellow wash, pricked for transfer on laid paper with three fold marks (546 x 645)

Hand

Soane Office

Notes

A copy of this design for a veranda was sent to Robins on 22 June 1803, roughly a year after the completion of the house. The design echoes the triumphal arch motif of the entrance front (q.v. drawing [7]). The veranda must have been intended for the entrance front - the width of the recess shown in the plan is a little over 16 feet, as in the plan drawing [5], and the height to the apex of the pediment roughly matches the height to the base of the pediment in drawing [7]. It is unknown if the veranda was executed.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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