[41] Preliminary design for a painted chimneypiece for Lady Mansfield's sitting-cum-dressing room, unexecuted, 1783

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Robert and James Adam office drawings
- Country houses
  - Kenwood, Hampstead, London: designs for the house and park for William Murray, 1st Earl of Mansfield, 1764-83 (55)
    - House and interior
      - Preliminary design, record drawing, and working drawings for a painted chimneypiece for Lady Mansfield's sitting-cum-dressing room, unexecuted, 1783 (4)

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Reference number

SM Adam volume 24/180

Purpose

[41] Preliminary design for a painted chimneypiece for Lady Mansfield's sitting-cum-dressing room, unexecuted, 1783

Aspect

Elevation of a chimneypiece, with paired Ionic pilaster stiles, ornamented between the pilasters with an urn supported by a pedestal ornamented with ram masks, a patera, a festoon of beading, and a drop including a peltoid shield, and with a frieze ornamented with vesica-shaped compartments articulated by drops of calyx, and with oval medallions in the capitals

Scale

to a scale

Inscribed

some measurements given

Signed and dated

1783
datable to 1783

Medium and dimensions

Pencil on laid paper (296 x 242)

Hand

Robert Adam

Literature

For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).