[54] Finished drawing for a garden seat, c1783

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Robert and James Adam office drawings
- Country houses
  - Kenwood, Hampstead, London: designs for the house and park for William Murray, 1st Earl of Mansfield, 1764-83 (55)
    - Park
      - Alternative preliminary designs and finished drawing for a garden seat, c1783 (3)

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Reference number

SM Adam volume 19/173

Purpose

[54] Finished drawing for a garden seat, c1783

Aspect

Plan and elevation of a small rectangular building with an open front screened by two terms, and flanked on either side by Ionic pilasters. There is a fluted frieze, and a broken pediment over the central part of the front. There are pencil-drawn annotations giving the pavilion a pyramidal roof, showing a detail of a term, and a partial side elevation

Scale

bar scale of 1/2 inch to 1 foot

Signed and dated

1783
datable to 1783

Medium and dimensions

Pen, pencil and wash on laid paper (327 x 445)

Hand

Adam office hand, possibly Robert Adam or Robert Morison

Literature

Bolton, 1922, Volume II, Index p. 19
King, 2001, Volume II, p. 220
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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