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  • image SM 2/7A/16

Reference number

SM 2/7A/16

Purpose

[14] Revised plans for ground and first floors (as [13])

Aspect

Plan of the Ground floor and Plan of the one Pair floor

Scale

bar scale of 1/8 inch to 1 foot

Inscribed

as above, Lancelot Austwick Esqre, rooms labelled Parlor, Office, Store/ Closet, Entrance for Pipes of Wine &c, drawing Room, Lobby (twice), Water / Closet and dimensions given

Medium and dimensions

Pen and light red wash on thin laid (secretary) paper (390 x 228)

Hand

The office Day Book entries for April and May 1796 name Good, Seward, Provis, May and Laing as making drawings for Mr Austwick. Here, the drawing is attributed to Henry Provis (1760 - 1830) clerk July 1791 - February 1802

Not named is Robert Smirke though he signs one drawing [8] and others are attributed to him ([2], [3], [5], [6], [7], [9], [10], [11]).

Watermark

fleur-de-lis

Notes

The revisions to design [13] include a false door on the left-hand side that corresponds with the door on the opposite side so that visual symmetry has been restored. Above, there are three windows to the first floor front flanked by a blind window or panel that in drawings [15] and [16] are shown as niches.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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