[43] Working drawing for the timbers in the ceilings of the ground floor of the new offices, April 1802

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Country houses, etc.
  - Albury Park, Guildford, Surrey: alterations and additions for Samuel Thornton, 1800-10 (61)
    - Designs and working drawings for the new offices, April 1802-January 1803 (10)

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Reference number

SM 77/2/9

Purpose

[43] Working drawing for the timbers in the ceilings of the ground floor of the new offices, April 1802

Aspect

Plan of the ground floor timbers

Scale

bar scale of 1/4 inch to 1 foot

Inscribed

Sam^l Thornton Esq^r, Albury Park, labelled: A (4 times), B (twice), C (twice), D (twice), E (5 times), F, H (5 times), I (3 times), K (twice), AAA &c must be trus'd ...12 x 12 / BB &c binding Joist ....9 x 5 / CC & Bridging Joist ....4½ x 2½ / DD & single Joist ....9 x 3 / EE &c Trimming Joist ....9 x 4 / Cieling Joist Spik'd up to the / binding Joist .... 3 x 2 / FF bridg'g Joist over Larder / & dairy ....6 x 2½ / Cielg Joist under do ....3 x 2 / HH &c Joist ....6 x 2½ / II Chain of bond ....4¼ x 2½ / KK Chain of bond ....9 x 4

Medium and dimensions

Pan, pink, yellow and sepia washes, pricked for transfer on laid paper (570 x 690)

Hand

Soane Office

Notes

This is a working drawing for the timbers in the ceilings of the ground floor of the new offices. The kitchen, at the bottom left, is a double-height space. The staircase is at the centre of the building.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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