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image SM 4/5/15

Reference number

SM 4/5/15

Purpose

[32] Design for partitions on the chamber floor, 10 February 1802

Aspect

Plan of the Chamber Story, Section from O to P and Section from R to S

Scale

bar scale of 2/9 inch to 1 foot

Inscribed

as above, Samuel Thornton Esqre, labelled: (section from O to P) A (twice), B (5 times), D (twice), E (3 times), G (twice), H (3 times), I, 7.6 (4 times), (section from R to S) F, Old portion, (plan) B, C, K (twice), L (twice), M, N, O, P, R, S and dimensions given

Signed and dated

  • 10 February 1802
    Albury Park February 10 1802

Medium and dimensions

Pen, sepia, light red and yellow washes, pricked for transfer on laid paper with two fold marks (471 x 635)

Watermark

J Whatman 1794 and fleur-de-lis within crowned cartouche and below, JW

Notes

In this drawing, yellow wash denotes new carpentry - sepia wash is used for the existing beams. The partitions shown in this drawing partly relate to the alterations suggested in drawing [31]. The beams in the front rooms at the centre of the house suggest that this was once a single room. These partitions relate to the design in drawing [38].

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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