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image SM vol. 67/2

Reference number

SM vol. 67/2

Purpose

[18] Copy of a design for the ground floor of the new offices, 27 January 1802

Aspect

The Plan of the Ground Floor of the proposed Offices, Elevation of Larder and section through the cornice of the Larder

Scale

bar scale of 1/6 inch to 1 foot; (section) Full size

Inscribed

as above, Samuel Thornton Esqr / Albury Park, No 1, labelled: (in Soane's hand) Door, Descend, Door / into / Cellar, Door, lattice, Pantry, leave / an / opening, Butler, B, (office hand) court, No 4, Court, Servants Hall, Kitchen, No 3, Area, D, Larder, Scullery, Copper, Oven (twice), Bakehouse, No 2, Area (3 times), Coals, Housekeep / Store, Wood, Copper, Scalding Room, F, Centre (twice), Dairy, C, Area, No 1, Servants / cleaning / Shoes &c, (pencil) Sash door Qy, Qy (twice), E, D, F all the Water brought / into a Cistern over this / part, Jany 18 1802 Mr Thornton left Albury Park and dimensions given

Signed and dated

  • 27 January 1802
    Lincolns Inn Fields Jany 27th 1802, July 3d 1802 (twice), April 4 1802, Decr 6th 1802, Feby 18 1803

Medium and dimensions

Pen, brown pen, sepia and pink washes on laid paper, bound into volume (573 x 692)

Hand

Soane Office

Notes

Here the larder and dairy are D-shaped and Soane has added a curved staircase to the existing offices.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).