Combe Bank was built by Colonel John Campbell (4th Duke of Argyll from 1761) in c1725 to designs by Roger Morris (1695-1749). The original house was composed of a two-storey, three-by-three-bay central block with a pediment across the west front, and a pyramidal roof with a central lantern, and with square corner turrets with pyramidal roofs. The house was illustrated in the fourth volume of Vitruvius Britannicus (1767), prior to Adam's involvement, and according to Pevsner and Newman the house was inspired by Lord Burlington's Tottenham Park, Wiltshire. The 4th Duke gave Combe Bank to his son, Lord Frederick Campbell, who commissioned Adam to make designs for furniture, alterations to the house, and a bridge. The furniture was executed in accordance with Adam's designs, although there is no Adam interior decoration in the house; the alterations to the fabric of the house differ from the surviving drawings; and the unexecuted design for a bridge is entirely uncharacteristic of Adam, and possibly not by him at all. Adam built two north-projecting wings, composed of three-bay links leading to one-bay, domed pavilions with pediments and Diocletian windows. One wing was built in c1775-7, and the other was executed much later. An engraving of 1787 shows the western wing, but at that date the eastern wing was not yet constructed. It was in evidence, however, by the time a sketch was made of the house in 1805.
The Adam wings were demolished, probably during restoration work following a fire of 1807 which killed Campbell’s wife. Campbell sold the estate six years later, in 1813, for 40,000. The house was much altered in the nineteenth century by architects including Daniel Asher Alexander (1768-1846), and the house is now used as a school.
See also: Ardencaple, Helensburgh, Argyll; Petersham Lodge, Richmond
J. Woolfe, and J. Gandon, Vitruvius Britannicus IV, 1767, pl. 75-77; Gentleman's Magazine, March 1792; A.T. Bolton, The architecture of Robert and James Adam, 1922, Volume II, Index pp. 7, 65; E. Harris, The furniture of Robert Adam, 1963, Index p. 48, pp. 73, 78; N. Pevsner, and J. Newman, The buildings of England: West Kent and the Weald, 1976, pp. 554-55; D. King, The complete works of Robert & James Adam and unbuilt Adam, 2001, Volume I, pp. 213-14, Volume II, p. 216; 'Campbell, Lord Frederick (1729-1816), or Ardencaple, Dunbarton, and Combe Bank, Kent', The history of Parliament online; 'Campbell, Frederick (1729-1816), or Combe Bank, Sevenoaks, Kent', The history of Parliament online
Frances Sands, 2012
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).
Contents of Combe Bank, Sevenoaks, Kent: unexecuted designs for alterations to the house, executed designs for the interior, and an unexecuted design for a bridge for Lord Frederick Campbell, 1767-77, (8)
- Design for a commode and pier glass frame, 1767 (1)
- Preliminary designs for the addition of service wings to the house and kitchen range, 1775-77, unexecuted (6)
- Design for a bridge, 1775, unexecuted (1)