According to Colvin (op.cit) a Mr Hoare appears to have been the architect and builder of Alderman William Beckford's magnificent Palladian house at Fonthill, Wiltshire, begun c. 1757 and demolished by Beckford's son in 1807. The son had earlier commissioned James Wyatt (1746-1813) to build, in a Gothic style, Fonthill Abbey, Wiltshire, the tower of which collapsed in 1825, the remainder being subsequently demolished. H.E.Goodridge (1797-1864) designed the Lansdowne Tower, Bath (1824-7) for the same patron and, happily, it still remains.
Soane's first visit to Fonthill Splendens was made on 25 April 1787 (SM Journal No 1, f.34). On 5 June he called on Mrs Beckford (William Beckford's mother) 'to show her the Section'. By then his patron had left for the Continent having apparently commissioned the lesser designs for chimney-pieces, bed and niches that were carried out.
Soane's unexecuted designs for a picture gallery have been divided (by Christopher Woodward) into two stages. A first stage (drawings 1 to 4) for a three-part gallery with a larger central area having an oval dome larger and higher than the circular domes on either side. Two free-standing pairs of columns emphasise the centre which is 'left plain to contrast with the richness of each end & side'. The 'richness' was provided by placing sunk panels in the doors and walls for a series of coloured prints of Raphael's arabesques in the Vatican loggie; they are the only exhibits in drawings 1-4 and are entirely subordinate to the architecture. In fact, these prints described by John Britton (in The Beauties of Wiltshire, 1801, volume I, p.238) as 'coloured by Francesco Pannini in a very superior manner' were eventually hung in an adjacent room.
In the final designs (drawings 5 to 7) the three-part plan becomes two-part with two elliptical domes of equal size and the walls are now shown with layouts for framed pictures . What seemed like a richly decorated corridor has now become a picture gallery. However, it was never carried out. The other of Soane's surviving drawings for Fonthill are for two chimney-pieces and a state bed (see drawings 8 -13) - which were executed. No designs for two niches with mosaic work have survived though the valuation for £36.14s.4d has.
Literature. C. Woodward, 'William Beckford and Fonthill Splendens: early works by Soane and Goodridge', Apollo, February 1998, pp.31-40; D. E. Ostergard (editor), William Beckford 1760-1844: an eye for the magnificent, 2001 (published in conjunction with an exhibition at Bard Graduate Center ... U.S.A. and Dulwich Picture Gallery, London); pp. 38-9 'Soane and Fonthill Splendens'; H. Colvin, Biographical dictionary of British architects 1600-1840, 2008
This catalogue is largely based on an earlier (c. 1996) typescript catalogue by Christopher Woodward and on his article published in Apollo. The attribution of drawing 7 to George Dance is mine.
Jill Lever, September 2011
With additions to the introductory notes by Frances Sands, September 2020
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).
Contents of Fonthill Splendens, Wiltshire: (unexecuted) picture gallery, (executed) chimney-pieces and a state bed for William Beckford, 1787-1788 (14)
- Rough preliminary variant designs and final (unexecuted) design by ? George Dance for a picture gallery, April/May 1787 (7)
- Preliminary working drawing, working drawing and two copies for a chimney-piece in the Tapestry room, June 1787 (4)
- Alternative designs for a state bed, 1788 (2)
- Valuation for plaster work on two niches, October 1787