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Purpose

Adam volume 54, Series 4 and 5

Signed and dated

  • 1757
    Main Year

Notes

This volume is unlike most of the other Adam volumes in its binding of mottled calf; it also has a contemporary label, 'Diuer. Dessi', presumably a version of diversi designi. The paper on which the drawings are mounted has a watermark frequently found in the Italian volumes of the Adam collection: a fleur de lys within a circle. The drawings themselves have a variety of watermarks. The description of the contents is on a separate sheet fixed to the inside cover and is in ink in a later eighteenth-century hand. The contents correspond to the six sections into which the volume is divided; a seventh section of rough sketches has been added, probably in the slightly later hand of George Bailey and possibly to fill the blank pages of the volume. At that time, presumably in the late 1830s, Bailey also noted the drawings that were missing from the original sections.Series 4: there were 15 drawings in the section entitled Gothic Sketches.Series 5: there were originally 20 drawings in the small section described as Landskip Sketches in the index to the volume, of which only 12 remain.

Level

Group

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).  


Contents of Adam volume 54, Series 4 and 5