Sir Edward Dering, 5th Baronet (1732-98), had succeeded his father in 1762. He served as MP (Tory) for New Romney in 1761-70, and 1774-87, having inherited estates in the area through his first wife Selina Furness, the daughter of Sir Robert Furness, 2nd Baronet, of Waldershare, Kent, whom he married in 1755 (she died 1757). He married again in 1765, Deborah Winchester, the daughter of a surgeon.
At an unknown date Sir Edward commissioned Robert Adam to make a design for a greenhouse for the park at Surrenden Dering. This was presumably at around the same time that he added the service wing to the main house. Adam's greenhouse, however, was not executed.
A.T. Bolton, The architecture of Robert and James Adam, 1922, Volume II, Index pp. 30, 68; J. Ingamells, A dictionary of British and Irish travellers in Italy: 1701-1800, 1997, p. 293; D. King, The complete works of Robert & James Adam and unbuilt Adam, 2001, Volume II, pp. 183, 225; History of Parliament online: 'Dering, Edward (1732-98), of Surrenden Dering, Nr. Ashford, Kent'; British listed buildings online: 'Surrenden House, Pluckley'
Frances Sands, 2013
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).