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image 58v (SM volume 39)

Reference number

58v (SM volume 39)

Purpose

58v (SM volume 39)

Notes

(pencil) VSO AD MARIN / TERM[..]NO LXXX / [c.12] XXV (see Translations of and notes on Latin inscriptions in this sketchbook at the end of this catalogue) / The women ^ continue to kiss the Rock upon a supposition / it split at the Crucifixion / and rough view of the rock / Came to the Alabaster Mines wc seems to be hew'd from / the ruins of the superior Mountain; it could / not be raised but in very small pieces / Transudations from Limestone / The Wine sells for o / 1000 Foliettes (foglietta, measure for liquids usually wine) make 1 Botta (botte, cask or barrel) wc sells / .83 / from 9 to 12 Scudi / Monte Circello, limestone above, & Tuffa / below, we did not see the Tuffa in the Mountain / but on seeing some at Santa Felice & asking from

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).