Notes
(pen) the top of the Cross over the ball 432' - the / diamr of the hall 8'.4" - the ht of the Statue / on the Cornice of the front 18' - before the / Church is a magnift Area with a ^Circular Piazza / adorn'd with 4 rows of Colomns of Tiburtine / Stone - 24 marble steps lead to the Portico / an old wooden Chair, said to be S. Peters inclos'd / in brass & supported by 4 figures of brass gilt - / is said to have cost 107,551 Crowns (5s/6d each) / The dead Christ of Alabaster by M. Angelo / The 2 wreath'd Pillars of Alabaster, brot from / Jerusalem by Helen the mother of Constantine / & erected at a side altar. / 2 Statues at the Tomb of Paul 3d - / Vide Fontana's Tempio Vaticano (in Soane's library there is a copy of Carlo Fontana's Il tempio Vaticano e sua origine ..., Rome, 1694) / S. John Lateran. / Built by Constantine after his Conversion / 24 verd antique Col. 4 of hollow brass of the Corinthian / order, said by some to have been brt from Jerusalem
Level
Drawing
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of
Concise catalogue records – drawn from an outline list of the collection – and
fuller records where drawings have been catalogued in more detail (an ongoing
process).