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Reference number

156v (SM volume 162)

Purpose

156v (SM volume 162)

Notes

Monday May 8th Went with Messrs / Collyer & Pratt to Mantua (J.Inagmells, Dictionary of British and Irish travellers in Italy, 1701-1800, 1997: Charles Collyer, 1755-1830, Soane built Gunthorpe Hall for him in 1789; Edward Roger Pratt, 1756-1837, for whom Soane remodelled Ryston Hall, Norfolk, 1786) / 24 miles / The Palace of - Colleredo (now the Palace of Justice) by / Jiulio Romano - most wretch'd / & unfinish'd (in fact, by Antonio Maria Viani, and completed in 1604) - opposite it his / own house (in the Via Poma) / The Gate of Entrance by S. Michel / has great merit / The Dumo. (sic) has 5 nefs (naves) - the / Center - flat ciel'd, the others fram'd by / Columns of the Corinthn Order - in / form of Latin Cross / The T.[è] Palace (by Giulio Romano, 1525-32) has great Merit / the front is decorated with Doric

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).