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Reference number

160v (SM volume 162)

Purpose

160v (SM volume 162)

Notes

further on / Tuesday May 2d bad road & / Cultivation, marshy Grounds, to Rovigo / a buildg there, Doric Pil.[aster] Arcades rust[icate]d / with Impost Cornice, or rather frieze & / Cornice - with Ionic Pilasters above. (The Palazzo Roncale, by Sanmicheli, before 1555. The 'Impost frieze & Cornice' consisted of guttae beneath a regula instead of the conventional triglyph and metope.) / Monteselice, (modern, Monselice) about 12 miles from / Padua, a pretty little town fine view / from the seven Churches - passed the / Castle of my friend the Marchese d'Obizzi / but he & his Lady were at Venezia / about 1 mile before you come to his house / on the banks of the River a pretty buildg / of I believe Palladio uninhabited<>Literature. P.du Prey, John Soane's architectural education 1753-80, 1977, pp.299

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).