Explore Collections Explore The Collections
You are here: CollectionsOnline  /  162r (SM volume 162)
top left corner
top right corner
bottom left corner
bottom right corner
image 162r (SM volume 162)
Use of images and copyright
Enlarge this Image
Print this image in A4 view  (icon indicating printer link)

Reference number

162r (SM volume 162)

Purpose

162r (SM volume 162)

Notes

Saturday Morng April. 29 / Left Florence & dear Miss S. (perhaps Miss Anna (Nancy) Storace, an opera singer (see P.du Prey, John Soane's architectural education 1753-80, 1977, p.297) agreed with the Voiturin to Padua105 for 1 meal / 5 Seq... / 3 dinrs 8 (sequins) / 2½ Extra Buona M. / 2½ Loss by Roman Seq / 6 Seq - @21P 126 - 3.3.0 / About two miles from Florence turn round / & view Arno's delightful Vale, a bird's eye / view of F. the whole campagna cover'd / with Casina's & fertile in the extreme - / Lay at Pietra mala 32 miles from Florence / All the road present nothing but marks / of fire, the road entirely among the / Appenines & not the least cultivation / about 1½ miles before you come to P.M. / observe the fire about 1 mile from the / road; from here the Appenines begin to divide

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).