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You are here: CollectionsOnline  /  Capriccio showing a large irregular building in a rocky landscape. It has a three-bay portico, long arcaded wing to one side and another wing terminated in a campanile to the rear. There is a shallow dome on a drum above. In the distance is a pyramid and arcaded ruins.
  • image Adam vol.55/2

Reference number

Adam vol.55/2

Purpose

Capriccio showing a large irregular building in a rocky landscape. It has a three-bay portico, long arcaded wing to one side and another wing terminated in a campanile to the rear. There is a shallow dome on a drum above. In the distance is a pyramid and arcaded ruins.

Aspect

Perspectiveverso perspective

Inscribed

Inscribed in ink on drawing 2

Signed and dated

  • Undated, probably 1755 - 56

Medium and dimensions

Pen, brown wash165 x 229

Hand

Robert Adam

Verso

Unfinished capriccio in pencil and pen showing three mourners at a sarcophagus beside a mausoleum in a woodland setting.

Notes

A similar but much larger building than that shown here is found in Adam vol.55/3, which is also set in a landscape. Both these drawings can be compared with the landscape capricci in Adam vol.54/Series 5/1-19, although these are less architectural. An under-drawing in pencil can be seen showing an irregular tower can

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).