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image Adam vol.56/157

Reference number

Adam vol.56/157

Purpose

Capriccio showing a castellated structure in a mountainous and wooded landscape.

Aspect

Perspective

Inscribed

Inscribed in ink 85; in red ink 157.

Signed and dated

  • Undated, probably after 1755.

Medium and dimensions

Pencil, pen, brown washes; black chalk framing line198 x 272, top 2 corners trimmed diagonally

Hand

Robert Adam

Notes

This drawing is one of a number of tree and landscape studies by Robert Adam (see also Adam vol.56/156, 163, 165); and a large collection at Blair Adam (BA 332-384). Robert Adam may have been inspired by landscape prints such as Paul Sandby's forest landscapes of c.1752 (see Herrmann Paul and Thomas Sandby (London, 1986), p.16, fig.4). However, these five drawings are more sophisticated than others found earlier in Adam volume 56 (such as 56/10, 56/11) and were probably made after 1755.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).