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image Adam vol.56/151

Reference number

Adam vol.56/151


View along a paved road under the arches of the Via Clivio di Scauro, Rome, with the church of Santi Giovanni e Paolo on the left.




Inscribed in ink on right-hand side of drawing 6; in red ink 151.

Signed and dated

  • Undated, probably 1756.

Medium and dimensions

Pencil, pen, black chalk, grey washes; ink framing line beyond which is blue painted border267 x 380, top border composed of strip of paper


Jean-Baptiste Lallemand


This drawing is one of a set of six Roman views (Adam vol.56/149-154) by Jean-Baptiste Lallemand (1716-1803), all of which have contemporaneous painted borders and have central folds, and most of which are signed. There were several similar sets in the Adam sales of 1818 and 1821 (see Catalogue of A Valuable Collection of Antique Sculpture etc. R. Adam, Christie's, London, 21 & 22 May 1818 and Christie's London Catalogue of the Effects of Robert Adam Esq. Dec. 9 July 1821 & following days). Lot 32 of the second day sale of 1818 was described as 'Six elegant drawings in India ink by L'Alma, of Italian Garden scenery', and lot 29 contained several of Lallemand's landscapes, all of which were bought by John Soane (see Bolton The Architecture of Robert and James Adam, 2 vols. (London, 1922), II, p.331). The set was probably made in 1756 for Robert Adam, at the time when he described himself as '... applying myself to these kind of sketches and have already made out a dozen of different views as unlike one another as I could ...' (Fleming Robert Adam and His Circle in Edinburgh & Rome (London, 1962), p.363). There is a view of the façade of this church by Lallemand in Adam vol.57/57 and a more distant view by Charles-Louis Clérisseau in The Hermitage (2381) (see Charles-Louis Clérisseau (1721-1820) Dessins du musée de l'Ermitage Saint-Petersbourg, catalogue of an exhibition at the Musée du Louvre, Paris, 1995, p.116, cat.31). This drawing may also be compared with the street scene shown in Adam vol.55/111.



Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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