Explore Collections Explore The Collections
You are here: CollectionsOnline  /  Capriccio showing trophies mounted on a plinth. In the distance is a circular building, possibly a church.
top left corner
top right corner
bottom left corner
bottom right corner
image Adam vol.56/101

Reference number

Adam vol.56/101

Purpose

Capriccio showing trophies mounted on a plinth. In the distance is a circular building, possibly a church.

Aspect

Perspective

Inscribed

Inscribed in ink 60; in red ink 101

Signed and dated

  • Undated, probably 1756 or 1757.

Medium and dimensions

Pencil, pen, blue, grey and brown washes; ink framing line, beyond which is off-white wash105 x 116, bottom right corner is torn off and the missing corner of the drawing has been shaded in pencil on the album leaf

Hand

Robert Adam

Notes

The trophies in the foreground derive from the Trophies of Marius in the Piazza Campidoglio, Rome, which Robert Adam knew well (see drawings in Adam volumes 57 and 26); they also appear in the capriccio by Charles-Louis Clérisseau in Adam vol.56/87. The buildings in the background may derive from the Temple of Concord and San Teodoro in the Forum. If this is correct, this drawing is the first composition in this series to have a strong topographical basis. Adam again uses the circular building in the background of his capriccio in Adam vol.56/115.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).