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  • image Image 1 for SM (136) 82/1/66 (137) 82/1/99
  • image Image 2 for SM (136) 82/1/66 (137) 82/1/99
  • image Image 1 for SM (136) 82/1/66 (137) 82/1/99
  • image Image 2 for SM (136) 82/1/66 (137) 82/1/99

Reference number

SM (136) 82/1/66 (137) 82/1/99

Purpose

Working drawings for the one pair floor and the top of the architrave, July 1831 (3)

Aspect

136 Plan of the One Pair Floor 137 Plan at the level of the top of the Architrave shewing the blocks in the Frieze the Flues &c with detail of an attic window

Scale

(136) bar scale of 1/6 inch to 1 foot (137) bar scale of 3/5 inch to 1 foot

Inscribed

136 as above, New State Paper Office, labelled: Recess (4 times), Ch[imne]y (7 times), Height of springing / of Arches 9'0'', Principal Staircase and dimensions given 137 as above, New State Paper Office, labelled: projection of Arch[itrav]e and dimensions given

Signed and dated

  • July 1831
    (136) L.I.F. / July 20 1831 (137) Lincolns Inn Fields / 18 July 1831

Medium and dimensions

(136) Pen, pink and grey washes, pricked for transfer on wove paper (361 x 512) (137) pen, pink, blue, black and burnt Sienna washes, pricked for transfer on wove paper with one fold mark (529 x 714)

Hand

(136, 137) George Bailey (1792-1860, pupil then assistant 1806-37, curator 1837-60)

Watermark

(137) Smith & Allnutt 1830

Notes

Drawing 137 is essentially a plan of the attic floor but taken at the top of the walls immediately below the roof so that it shows, for instance, the consoles beneath the cornice and the iron girders in the ceilings of the library. The detail to the left of the drawing shows a plan of one of the attic windows. The consoles are spaced 2 feet 3 inches apart.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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