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image Image 1 for SM (130) 82/2/27
image Image 2 for SM (130) 82/2/27
  • image Image 1 for SM (130) 82/2/27
  • image Image 2 for SM (130) 82/2/27

Reference number

SM (130) 82/2/27


New design for the chimney shafts, June 1831


130 Front and side elevations of a chimney shaft; (verso) working drawing for Staircase & Vestry Room Windows &c of St Peter's Church, Walworth


bar scale of 2 inches to 1 foot; (verso) Full size


New State Paper Office, Design for Chimney shaft, Centre of Wall and dimensions given; (verso) as above, This drawing to be returned, labelled: Brickwork (twice), Fascia, Window Sill

Signed and dated

  • June 1831
    30th June 1831; (verso) Lincolns Inn Fields / 8th August 1823

Medium and dimensions

Pen, yellow ochre, sepia, pink and grey washes (verso: pen, pink, burnt Sienna, grey and yellow washes), pricked for transfer on wove paper (369 x 518)


Charles James Richardson (1809-71, pupil and assistant 1824-1837); (verso) Soane Office


Drawing 130 shows a new design for the chimneys that is both smaller and simpler than previous designs. The height of the chimney is 4 feet 11¼ inches from the flat roof.



Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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