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image Image 1 for SM (67) 82/1/57
image Image 2 for SM (67) 82/1/57
  • image Image 1 for SM (67) 82/1/57
  • image Image 2 for SM (67) 82/1/57

Reference number

SM (67) 82/1/57

Purpose

Design for the south front, May 1830

Aspect

67 Elevation of the south front; (verso) Plans of House No 9 Upper Wimpole Street

Scale

(recto and verso) bar scales of 1/4 inch to 1 foot

Inscribed

4.3 (3 times), 7.6 (twice); (verso) as above, labelled: Ground Floor, Basement, Area, Basement, Butlers / Pantry, Housekeepers / Room, Wine Cellar, Kitchen, Scullery, Knives and some dimensions given

Signed and dated

  • May 1830
    11 May 18[30]; (verso) 5th April 1829

Medium and dimensions

Pen, sepia, yellow ochre, black and pink washes, (verso: pen, sepia and grey washes) pricked for transfer on wove paper (473 x 487)

Hand

(recto and verso) Charles James Richardson (1809-71, pupil and assistant 1824-1837)

Notes

The recto of drawing 67 shows Soane trying out different designs for the windows at the centre of the ground and first floors on the south front of the building. The balustrades between the chimneys have been scratched out, as have the tops of the windows on the ground and first floors. In pencil at the top left of the elevation the parapet has been disguised behind an entablature resembling sloped eaves. On the verso is a survey drawing for No 9 Upper Wimpole Street. SM 38/1/7 (not yet catalogued) shows the 'drawing room floor' and the 'bed chamber floor'. (See P. Dean, Sir John Soane and London, 2006, p. 233).

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).