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  • image SM Adam volume 12/137

Reference number

SM Adam volume 12/137

Purpose

[77] Finished drawing for a ceiling for the library, 1774; it is not known if this design was executed

Aspect

Plan of a rectangular ceiling, with a bow on each side, divided by bands of beading and calyx, and the central flat is ornamented with a medallion, enclsoed wihtin a fan, and a circular fluted frame, with an apron of festoons, and supporting four drops composed of bows, calyx, enclosed rosettes, and arabesques, and flanked by winged griffons at the base, all set within an oval frame, and with a rectangular border ornametned with rosetes enclosed within figure-of-eight ribbons, with squares in each corner containing enclosed rosettes, and a figurative tablet on each side, and the apses are ornamented with segmental fans, enclosed within fluted frames, with an apron of festoons, and within a border of guilloche, and rosettes enclosed within figure-of-eight ribbons

Scale

bar scale of 3/4 inch to 1 foot

Inscribed

Cieling for the Bow Dressing Room or Library. Parlor Story / at Lord Stanley's in Grosvenor Square / (and in pencil) This is drawn at l[arge cropped] / & ready for Mr Ro[se cropped]

Signed and dated

  • 1774
    1774.

Medium and dimensions

Pen, pencil, wash and coloured washes including terre verte, pink and violet on laid paper (500 x 428)

Hand

Adam office hand, possibly William Hamilton or Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 38
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).