Inscribed
Inscribed in red ink 27
Signed and dated
Medium and dimensions
Pen and pencil; brown and grey washes347 x 460
Hand
Paul Sandby (attributed to) or possibly Jean-Baptiste-Claude Chatelain
Notes
This drawing in pen and wash is typical of Paul Sandby's work of c.1750 and particularly his Scottish views (see Holloway The Discovery of Scotland (Edinburgh, 1978), figs.33-49). Both Paul and Thomas Sandby were associated with the Adam family from around 1746 and Paul Sandby later worked for Robert Adam on the plates for Ruins of the Palace of the Emperor Diocletian at Spalatro (1764). Robert Adam was in close contact with Sandby while he was in Italy, asking his sister in a letter of December 1756 'did you see Sandby in your London Life?', as he had sent him a long letter (National Archives of Scotland, Edinburgh, Clerk of Penicuik Collection, GD18/4827). Alternatively, it has been suggested by Dr Timothy Clifford that this drawing is by Jean-Baptiste-Claude Chatelain (c.1710-c.1771), whom Adam may have known through Chatelain's work as an engraver of Gaspard Dughet (see Adam vol.56/23).
Literature
Robert Adam, The Creative Mind: from the sketch to the finished drawing, catalogue of an exhibition at Sir John Soane's Museum, 1996, cat.2
Level
Drawing
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