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You are here: CollectionsOnline  /  Unfinished capriccio of the interior of a ruinous ancient building with a vew through a screen supported by four columns, to further ruins. Tourists in contemporary dress admire the roofless ruins which house architectural fragments. The drawing is within an ink border.
  • image Adam vol.4/107

Reference number

Adam vol.4/107

Purpose

Unfinished capriccio of the interior of a ruinous ancient building with a vew through a screen supported by four columns, to further ruins. Tourists in contemporary dress admire the roofless ruins which house architectural fragments. The drawing is within an ink border.

Aspect

Perspective

Signed and dated

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Medium and dimensions

Pencil, pen & ink, and grey and brown washes, on wove paper. 344 x 260

Hand

attributed to Antonio Zucchi (1726 - 1795)

Notes

Omitted from A.A.Tait's catalogue and added by Stephen Astley June 2013.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).