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image Adam vol.56/11

Reference number

Adam vol.56/11

Purpose

Study of a deciduous tree in full leaf, with downward-sweeping branches across a knarled trunk.

Aspect

Study

Inscribed

Inscribed in red ink 11

Signed and dated

  • Undated, probably between 1745 and 1750.

Medium and dimensions

Pencil and pen253 x 227

Hand

Robert Adam

Notes

This study is a fuller version of the tree shown on the extreme left of Adam vol.56/10. It may be compared with those in Paul Sandby's forest landscape prints of c.1752 (see L. Herrmann, Paul and Thomas Sandby, London, 1986, p.16). There is an etching of trees in the Blair Adam collection (BA 397) that is similar to both this drawing and the Sandby prints. A common source for both Robert Adam and Sandby would be Dutch seventeenth-century prints, such as The Large Oak by Jacob van Ruisdael (1628-1682) (see D.Freedberg, Dutch Landscape Prints, London, 1980, pp.57-8).

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).