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image SM Adam volume 30/62

Reference number

SM Adam volume 30/62

Purpose

[3] Finished drawings for the building, c1772, unexecuted

Aspect

Plan showing a rectangular building, basilican in form, with an apsidal end, screened by two column, and with three recesses down each side which contain booths of tables and benches, and each screened by two columns, and with a circular recess in each corner, two of which contain tables and benches, one of which is empty, and the final one contains a spiral staircase, giving access to four water closets in the in-filled space between the staircase and the edge of the apsidal end. There is a chimneypiece at each end of the building, one of which is within the apse, and the entrance is on one of the long sides, behind a bow portico

Scale

bar scale of 3 1/2 inches to 10 feet

Inscribed

Plan of Loyds Coffee House (in pencil) / Plan of Loyds Coffee House (in pen in the hand of William Adam) and some measurements given in pencil) (verso) 4 / This to be placed thirteenth (in red pen) / 3 Plans of Internal decoration with 1 Ground Plan

Signed and dated

  • c1772
    datable to c1772

Medium and dimensions

Pen, pencil, wash and yellow wash within a single ruled border on laid paper (913 x 639)

Hand

Adam office hand, possibly Joseph Bonomi, with title inscription in the hand of William Adam

Watermark

D&CBLAUW IV and XD&CB within a cartouche

Literature

Bolton, 1922, Volume II, Index p. 41
The Lloyds Log, 1955, p. 10
King, 2001, Volume II, p. 57
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).