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  • image SM 41/6/2

Reference number

SM 41/6/2

Purpose

[2] Survey drawing of offices in the east wing, May 1795

Aspect

Plans of the One Pair Floor, Two Pair Floor and Garrets

Scale

bar scale of 1/16 inch to 1 foot

Inscribed

as above, labelled: (One Pair Floor) Auditors / Office, Pipe Office / Clerk of the Leases / 16.0 by 15.0, Council Room, Dutchy of Cornwall, Drawing Room, Clerk of the / Pipe Office / 16.0 by 15.0, (Two Pair Floor) (pencil) B, Clerk of the / Estreats / 18.0 by 17.6, 7.6 by 17.6, Remembrancers / Chambers / 16.0 by 15.0, Chambers (twice), Dutchy of Cornwall, Remembrancers / Chamber / 16.0 by 15, Comptroler of the / Pipe Office, (pencil) C, Clerks / 18.0 by 17.6, 7.6 by 17.6, Passage, (Garrets) Remembrancers / Chamber / 18.0 by 17.6, 7.6 by 17.6, (pencil) B, Clerk of Estreats / Record Room / 16.0 by 15.0, Dutchy of Cornwall, (pencil) C, Comptroller of the / Pipe / Record Room / 16.0 by 15.0, Pipe / Chamber (twice) / 7.6 by 17.6, Cistern, (pencil) BB CC Are two distinct Offices in themselves / & separate from the rest but at present / held by one Person (Lord Orford), Somerset House, Copy

Signed and dated

  • Lincolns Inn Fields May 21 1795

Medium and dimensions

Pen, brown pen, grey, sepia and blue washes, pricked for transfer on wove paper (558 x 339)

Hand

Frederick Meyer (1775-?, pupil 1791-96) or Henry Hake Seward (1778-1848, pupil 1794-1808)

Notes

This drawing and SM 41/6/2 show the layout of the offices of the Exchequer, the Duchy of Cornwall and a third, unidentified proprietor (possibly the Duchy of Lancaster) before Soane's alterations.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).