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image SM Adam volume 24/171

Reference number

SM Adam volume 24/171

Purpose

[15] Preliminary design for a chimneypiece for the second drawing room, 1773, unexecuted

Aspect

Rough elevation of a chimneypiece, with volute stiles, one of which is shown in profile, and the other ornamented with masks, and beyond which is a band of scrolled hearts, and with a lining of scrolled hearts, urns in the capitals, and a frieze of alternating urns and double calyx connected by arabesques, and with a pencil-drawn tripod perfume burner, resting on birds, on the right-hand side of the sheet

Scale

not to scale

Inscribed

Lord Stanley 2d or 3d Drawing room (in pen) / No 5 (in pencil)

Signed and dated

  • 1773
    datable to 1773

Medium and dimensions

Pen and pencil on laid paper (324 x 202)

Hand

Robert Adam

Literature

For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).