Scale
(48-50) bar scales of 2¼ inches to 10 feet
Inscribed
48 Mr Higham and a few dimensions given
49 Strong Room, Mr H Rm, Strong C[loset], Closet, Public Hall, Counter, Lobby / or / Por[ch]
50 Mr Higham, Strong Closet, Closet, Public Hall, Counter (twice), 6 Clerks and a few dimensions given
Signed and dated
- (48) 23 Jan 1818 and (pencil, Bailey) Jany 23d 1818 (49) Sunday 25 Jan 1818 and (Bailey) January 23d 1818 (50) Sunday 25 Janry 1818 and (pencil, Bailey) Jany 23 1818
Medium and dimensions
(48) Brown pen and pencil on wove paper (708 x 512) (49) brown pen, sepia wash, pencil on wove paper (704 x 535) (50) brown pen, pencil on wove paper (689 x 490)
Hand
(48-50) outline plans by George Bailey (1792-1860, pupil then assistant, 1806-37, curator 1837-60) with rough designs for new layouts by Soane
Notes
The outline site plans now includes Mello & Pead's premises (left-hand side) which enlarges the site available to Soane by about one third. Encouraged by this and fired by his idea of a Cenotaph memorialising William Pitt the Younger, Soane re-cast the layout. Drawing 48 enlarges the banking hall and places the Cenotaph and Mr Higham's room at the back. Drawings 49 and 50 show a bolder design with the Cenotaph on a clear and more focused diagonal axis to the entrance now positioned on the corner of Old Jewry and Meeting House Court.
Level
Drawing
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of
Concise catalogue records – drawn from an outline list of the collection – and
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