[47] Sectional design for the front elevation, 15 January 1818

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Bank of England
  - London: National Debt Redemption Office, Old Jewry, City of London: designs, working drawings and drawings for exhibition, 1817-18, 1819, 1823 (100)

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Reference number

SM (47) 48/2/33

Purpose

[47] Sectional design for the front elevation, 15 January 1818

Aspect

47 Section of the Screen / in Front of the National Debt Office with three details including one for 14 Rustices

Scale

not to scale

Inscribed

as above, Pavement and dimensions given

Signed and dated

Jan^y15 ^th1818

Medium and dimensions

Brown pen on secretary paper (328 x 197)

Hand

Charles Edward Papendiek (1801-1835, pupil January 1818-March 1824) from Day Book

Watermark

Britannia with lance, shield and olive branch within crowned oval

Notes

The section is for the basement, the rusticated ground floor and part of the first floor of the Old Jewry and seems not to 'fit' any of the earlier or later elevations.
Drawn with competence by Papendiek who had just begun his pupilage though possibly it is a copy? The Day Book shows five pupils (Henry Parke (1790-1835, pupil 1814-1820), Edward Foxhall (1793-1862, pupil 1812-1821), Henry Burges (pupil 1817-1820) and Frank Copland (pupil 1817-1820) as well as George Bailey (1792-1860, pupil then assistant, 1806-37, curator 1837-60) as working under the heading 'M^rSoane' on plans, sections, views and elevations of 'Mausoleum'. The sixth pupil at that time was Arthur Patrick Mee (1802-1868, pupil January 1818-1823).

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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