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  • image Image 1 for SM (113) 56/2/42 (114) 56/2/41
  • image Image 2 for SM (113) 56/2/42 (114) 56/2/41
  • image Image 1 for SM (113) 56/2/42 (114) 56/2/41
  • image Image 2 for SM (113) 56/2/42 (114) 56/2/41

Reference number

SM (113) 56/2/42 (114) 56/2/41

Purpose

Working drawings, November 1830 (2)

Aspect

113 Details of Parts of Door & Frame and Style, and elevations of door and frame and spandrel 114 Details of Top Rail of Door, Transom Rail, Bottom Rail, Jambs and Parts of Door, and elevation of sash door with fanlight

Scale

(113, 114) to a scale of 1 inch to 1 foot and Full Size

Inscribed

113 as above, No 1 of 1½ In Deal bead flush Spandrail / 4'-0'' / by 2-0 / 1½ In deal Shelve tongued &c, No 1 Two Inch Deal four Pannell bead flush / Door & Frame, to be returned with the Work, and dimensions given 114 as above, No 1 Two Inch Ovlo Sash Door & Fanlight / as parts of Drawing (full Size) / the right hand Style / of this Door to be prepared for / Mortice Lock, To be returned with the Work, Face of Door, Those Jambs &c to be dovetailed together / at the Bank and dimensions given

Signed and dated

  • (113) Novr 3rd 1830 Thos Heath (114) Novr 6th 1830 Thos Heath

Medium and dimensions

(113) Pen and raw umber wash, pricked for transfer on wove paper with three fold marks (500 x 620) (114) pen, raw umber and blue washes, pricked for transfer on wove paper with one fold mark (495 x 620)

Hand

(113, 114) Thomas Heath, clerk of works

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).