[34] Design for an overmantel mirror frame for the ante room, c1773, possibly executed

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Robert and James Adam office drawings
- Town houses
  - London
    - St James's Square, number 20, London, designs for a house and interiors for Watkin Williams-Wynn, c1772-1777 (99)
      - Design for an overmantel mirror frame for the ante room, 1773, possibly executed (1)

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Reference number

SM Adam volume 20/121

Purpose

[34] Design for an overmantel mirror frame for the ante room, c1773, possibly executed

Aspect

Elevation of an overmantel mirror frame ornamented with bands of acanthus leaf and laurel leaf tips. The frame is surmounted by a figrative oval enclosed within a band of beading flanked by arabesques and supporting ribbons and an anthemion. The frame is flanked by girandoles in the form of tubular flowers with aprons of masks, festoons of husks and drop caylx. The tubular flowers support urns with dolphins forming the base and the urns are surmounted by oil lamps and further tubular flowers

Scale

bar scale of 1 inch to 1 foot

Inscribed

Glass frame over Anti Room Chimney / W W W (in pencil) / left out / Surbase / Chimney and some measurements given

Signed and dated

c1773
Adelphi Augst. 9t. 177[cropped] c1773

Medium and dimensions

Pen and pencil on laid paper (290 x 438)

Hand

Possibly
Office hand, possibly William Hamilton or Joseph Bonomi

Watermark

IHS IVILLEDARY

Literature

Bolton, 1922, Volume II, Index p. 50
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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