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image SM (1) 56/1/1

Reference number

SM (1) 56/1/1

Purpose

Survey plan of semi-detached houses (considered unsuitable) in Norfolk Street

Aspect

1 Ground Plan of the Union Club-rooms and the adjoining House situate in Norfolk Street

Scale

bar scale of 1/6 inch to 1 foot

Inscribed

as above, labelled (same hand): Hall, Dining-room (twice), Drawing-room (twice), Breakfast-room, Staircase, Kitchen (twice), Scullery (twice), Butlers Pantry, Store-room (twice), Yard (twice), Pump, Ashes, Boot house, (added in pencil, another hand) Warehouse (3 times), Cotton Warehouses &c and (pen, a third hand) Both houses cellared and three stories / high well finished & substantial - immediate / possession of the house shaded - The other rented / by the Union Club for a term of 8 months (verso) Bank of England / Manchester / A / 11 sheets and (pencil) 1 Norfolk Street / 2 & 4 King Street

Medium and dimensions

Pen, sepia and (a very light) yellow wash within single ruled border on wove paper with five fold marks (444 x 560)

Hand

local surveyor, with pencil inscriptions by George Bailey (1792-1860, pupil then assistant 1806-37, curator 1837-60), and an additional note in an unidentified hand

Watermark

Turkey Mills J Whatman 1818

Notes

The drawing shows two semi-detached houses, the house on the right is three bays wide with a dining room at the back that extends into the house next door. This left-hand house is six bays wide at the front with an imposing stepped entrance and is presently leased for a further eight months by the Union Club. The smaller 'shaded' house is vacant. Evidently the double-house was not considered suitable as a branch bank and all further drawings are for the King Street premises.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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