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image SM (63) 56/12/11

Reference number

SM (63) 56/12/11

Purpose

Survey drawing of the premises occupied by Mr Gidney, Queen Street

Aspect

63 Plan of the ground floor and outbuildings

Scale

bar scale of 3/13 inch to 1 foot

Inscribed

Dung Pitt, Stable & hay loft over, Harness Room, Part of the French Church, two high windows / looking into this yard, Coach house and dimensions given, (pencil): Arched Cellars under this Yard, Cellar under Shop 7ft9 high / the whole of Mr Gidneys house / two Storys high, Low building, Mr Foster will want the whole / of this space within the red / line for away (sic) to his Stables &c, Mr Foster to have those / Doors if taking Down / included in the Price, Loft over, Occupied by Mr Gidney / Room over, low Building; (verso): Norwich (twice)

Medium and dimensions

Pen, sepia, blue and pink washes, pricked for transfer on wove paper with five fold marks (500 x 587)

Hand

Thomas Heath, clerk of works

Watermark

1825

Notes

The 13th-century church of St Mary the Less fell out of use before the Reformation but was converted in 1637 into a French Protestant church by the Flemish Walloon Company, which it remained until 1832.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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