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  • image SM Adam volume 17/26

Reference number

SM Adam volume 17/26

Purpose

[12] Alternative designs for the border of a slab for the first drawing room, 1774; it is not known if these designs were executed

Aspect

Alternative elevations of details of a border for a segmental slab. The first (upper) border is ornamented with naturalistic anthemia supported by calyx, alternating with anthemia enclosed within arches and scrolls of ribbon, connected by festoons, and with borders of enclosed connected rosettes. The second (lower) border is ornamented with anthemia, arabesques, calyx and rosettes, set between a shaped frame, and with borders of beading and Vitruvian scroll

Scale

full size

Inscribed

Slab for the 1st. Drawing Room at Lord Stanley[cropped] / in Grosvenor Square / Slab for the First Drawing Room at [cropped] (in pencil) / Stanleys (in pencil) / Slab for the second Drawing Room at Lord Stanley[cropped] (in pencil) / Slab for the 2d. Drawing Room at Lord Stanley's and some measurements given

Signed and dated

  • 27/08/1774
    Adelphi / August 27t 1774

Medium and dimensions

Pen, pencil, wash and coloured washes incuding Indian yellow, terre verte and pink on laid paper (237 x 359)

Hand

Adam office hand, possibly William Hamilton or Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 38
Harris, 1963, Index p. 55
Harris, 2001, p. 362
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).