Explore Collections Explore The Collections
You are here: CollectionsOnline  /  Design for alterations to Mr Bracewell's premises in Commercial Street, January 1827 (5)
  • image Image 1 for SM (6) 56/7/9 (7) 56/7/5 (8) 56/7/6 (9) 56/7/7 (10) 56/7/8
  • image Image 2 for SM (6) 56/7/9 (7) 56/7/5 (8) 56/7/6 (9) 56/7/7 (10) 56/7/8
  • image Image 3 for SM (6) 56/7/9 (7) 56/7/5 (8) 56/7/6 (9) 56/7/7 (10) 56/7/8
  • image Image 4 for SM (6) 56/7/9 (7) 56/7/5 (8) 56/7/6 (9) 56/7/7 (10) 56/7/8
  • image Image 5 for SM (6) 56/7/9 (7) 56/7/5 (8) 56/7/6 (9) 56/7/7 (10) 56/7/8
  • image Image 1 for SM (6) 56/7/9 (7) 56/7/5 (8) 56/7/6 (9) 56/7/7 (10) 56/7/8
  • image Image 2 for SM (6) 56/7/9 (7) 56/7/5 (8) 56/7/6 (9) 56/7/7 (10) 56/7/8
  • image Image 3 for SM (6) 56/7/9 (7) 56/7/5 (8) 56/7/6 (9) 56/7/7 (10) 56/7/8
  • image Image 4 for SM (6) 56/7/9 (7) 56/7/5 (8) 56/7/6 (9) 56/7/7 (10) 56/7/8
  • image Image 5 for SM (6) 56/7/9 (7) 56/7/5 (8) 56/7/6 (9) 56/7/7 (10) 56/7/8

Reference number

SM (6) 56/7/9 (7) 56/7/5 (8) 56/7/6 (9) 56/7/7 (10) 56/7/8

Purpose

Design for alterations to Mr Bracewell's premises in Commercial Street, January 1827 (5)

Aspect

6 Plan of the Basement Story of the Premises in Commercial Street Leeds / shewing the proposed Alterations 7 Plan of the ground floor of the Premises in Commercial Street Leeds, / shewing the proposed Alterations 8-9 Plan of the One Pair Floor of the Premises in Commercial Street Leeds / Shewing the proposed Alterations 10 Plan of the Two Pair Floor of the Premises in Commercial Street Leeds / shewing the proposed Alterations with (pencil) section through stair-well

Scale

(6-10) bar scales of 1/6 inch to 1 foot

Inscribed

6 as above, labelled: Vaults for Coals &c, Scullery, Kitchen, Footmans Pantry, Wine Cellars, Strong Room / 14.0 by 10.6, Pantry &c , Stairs, Steps leading to Street, Porters Room 7 as above, North, South E and W, a Narrow Street, labelled: Lobby, Folding Door, The Banking Room / 26'.0' by / 23'.0' / 12'.0" high, Staircase &c, Closet, Water / Closet, Agents Room / 17'.0" by 10'6", Safe / for / Books &c, Area, Door, Stairs to the Strong Room &c, Paved Yard, Retiring Room &c / 11'.6" and (pencil) Leeds 8 as above 9 as above, labelled: Drawing Room, Eating Room, Side Table, Staircase, Store / Closet &c, Lobby, Chamber

Signed and dated

  • (6-10) 8 or 8th Jany or January 1827

Medium and dimensions

(6) Pen, burnt umber, pink and blue washes, pricked for transfer within double ruled border on stout wove paper (525 x 362) (7) pen, burnt umber, pink and blue washes, pricked for transfer within double ruled border on stout wove paper (526 x 364) (8) pen, burnt umber and pink washes, pricked for transfer within double ruled border on stout wove paper (535 x 366) (9) pen, burnt umber, pink and blue washespricked for transfer within double ruled border on stout wove paper (533 x 364) (10) pen, pencil, burnt umber and pink washes, pricked for transfer, within double ruled border on stout wove paper (526 x 356)

Hand

(6-10) Stephen Burchell (1806-?, pupil 1823-28)

Watermark

(6, 8) Smith & Allnutt 1823

Notes

The plans show that the existing six-year old building was a 'loose fit' with few partitions, one principal staircase and a service stair at the back. Nothing had to be removed and a strong room, lobby, banking hall, agent's room and service rooms could be readily added. For the domestic quarters, drawings 8 and 9 offered a variant design for the layout of the first floor with a straight-sided or bowed eating room.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).