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image SM Adam volume 53/13

Reference number

SM Adam volume 53/13

Purpose

[11] Record drawings for friezes, ND

Aspect

Elevation of friezes for the hall, the first storey and the parlour storey of the staircase, and the library. The hall frieze is composed of urns supported by calyx, alternating with, and connected by swags to roundels, containing alternating enclosed rosettes superimposed on crossed swords, and bulls. The frieze for the first storey of the staircase is composed of urns, supported by turned pedestals, connected by festoons of bell flowers, and alternating with enclosed rosettes. The parlour storey of the staircase frieze is composed of alternating ox skulls and military trophies, hung from arabesques, supported by calyx, and pedestals between each element. The library frieze is composed of alternating anthemia, and double calyx, connected by arabesques of ribbon

Scale

bar scale of 3/4 inch to 1 foot

Inscribed

Honble George Hobart / Hall / One pair Story of Staircase / Parlor Story of Staircase / Library / Hon G. Hobart (in pencil in a modern curatorial hand)

Signed and dated

  • ND

Medium and dimensions

Pen and pencil on the laid paper of the folio page (291 x 470)

Hand

Adam office hand, possibly James Adam

Watermark

IVILLEDARY

Literature

Bolton, 1922, Volume II, Index p. 49
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).