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image Adam vol.57/61

Reference number

Adam vol.57/61

Purpose

Italy: Rome: Ponte Molle. View of two battlemented towers and bastions at the fortified end of the Ponte Molle, Rome.

Aspect

Perspective

Inscribed

Inscribed in ink 61

Signed and dated

Undated, probably 1755 or 1756.

Medium and dimensions

Pen, grey and brown washes122 x 179

Hand

Robert Adam (attributed to)

Notes

This view can be compared with Piranesi's print of 1762 of the Ponte Molle, which shows the tower and archways in greater profile, before its restoration by Valadier in 1805. However, the drawing here attributed to Robert Adam gives only two of the four major bays of the Ponte Molle and lacks the detailing of the relief niches between each arch. The composition may be compared with the view of a fortified bridge by Charles-Louis Clérisseau in Adam vol.57/145.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).