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image SM Adam volume 53/39 (part)

Reference number

SM Adam volume 53/39 (part)

Purpose

[15] Record drawings for friezes for the great parlour, the drawing room screen, and the drawing room

Aspect

Elevation of friezes. The frieze for the great parlour is composed of peltoid shields and festoons hung from bows. The frieze for the drawing room screen is composed of a rosette enclosed within a fan, and flanked by drops of calyx within a serpentine ribbon. The frieze for the drawing room is composed of a patera and rosettes formed of anthemia, calyx and scrolls, alternating, and enclosed within connected circles of acanthus leaves, with calyx between the circles

Scale

bar scale of 3/4 inch to 1 foot

Inscribed

Sir John Griffin / Audley End / Great Parlor / Drawing room Screen / Drawing room (all in pen and underwritten in pencil) / ie architecture to columned recess (beside Drawing room Screen in pencil in a modern curatorial hand) / Sir John Griffin (in pencil in a modern curatorial hand)

Signed and dated

N.D.

Medium and dimensions

Pen and pencil on laid paper of folio page (291 x 471)

Hand

Adam office hand, possibly James Adam

Watermark

LVILLEDARY

Literature

Bolton, 1922, Volume II, Index p. 2
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).